Lili Refrain – Mana, LP (金黑漩涡)
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Lili Refrain’s newest LP MANA lives up to its title. A combination of Anna Von Hausswolff and Burning World-era Swans, following the words of Walter Hoeijmakers, the founder of Roadburn Festival.
Each track is multifaceted and they all have a heft to them, a weight that translates well to Refrain’s multi-instrumentalist abilities. Commenting on the nature of recording process Lili states: “Mana is an album totally different from anything I've ever done before. I felt the need to experiment with the use of new instruments and take a totally new path. Compared to my previous album MANA is the most ritual in some ways”. Refrain comments onthe origin of the title saying: “It means ‘life force’, power that comes from within and is dedicated to those who have found themselves consciously facing a journey, without knowing where it would have arrived or even if it would have survived.”
Using very few guitars, Lili Refrain has not only distanced herself from her comfort zone but also created a danceable feel focusing on arrangements and vocal techniques.
However, the work on background sounds was very deliberate , as Lili notices: “Stefano Morabito, the engineer and the owner of "16th Cellar Studio" in Rome welcomed me in
his studio and had been following me throughout the production.”
“Spontaneous” is probably the best description of creating the record that became MANA.
“I felt the need to experiment.” – says Lili about the current evolutions and changes in her “inner gaze”.
Starting with Ichor , Sangoma and Mami Wata, Lili Refrain has been going down the path of rediscovering herself as an artist and performer. Combining both heavy synths sounds and operatic heights.
Pairing Taiko drum sounds of Mami Wata with her trilling and whispering, Lili Refrain manages to create a chanting and ritualistic experience.
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