[订购] Lebanon Hanover ‎– Sci​-​Fi Sky, 2xLP (黑白) [预付款1|279]

黑白双胶。2020年专辑。冷潮/极简/后朋。

tracklist：

1. Living On The Edge
2. Golden Child
3. Garden Gnome
4. Digital Ocean
5. The Last Thing
6. Angel Face
7. Hard Drug
8. Third Eye In Shanghai
9. Your Pure Soul
10. Come Kali Come

The new Album, track by track:

“Living on the edge” is a strong opener, with vocals helmed by Larissa, is a sighing electronic

music track, with buzzing guitars droning in the distance, and the clever blue allusion instilled

in the witty lyric: “Monday Morning, listening to The Cure”.

“Golden Child” is playful yet haunting nursery rhyme recounted by William Maybelline, that

is both complex in its production and driven by that classic kind of Lebanon Hanover bassline.

“Garden Gnome” opens with caustic guitars that vacillate between echo-laden strumming. The

song is both beautiful, jarring, idyllic, and bitter.

“Digital Ocean” features a melody that would be at home on early Cocteau Twins records,

counterbalanced by Maybelline’s baleful growl.

“The Last Thing” is an arresting and sorrowful dirge, it is a song that evokes the ray of hope

that lingers after Pandora’s Box has opened. And this is undoubtedly the feeling permeating

the still air of silent cities and towns worldwide where human beings have never before been

further apart. The song features the most haunting vocals from Larissa Iceglass to date, like

a warm exhalation of light under the veil of seemingly perpetual darkness, standing toe to

toe with the passionate work of luminaries such as Marianne Faithfull, and Velvet Under-

ground chanteuse Nico herself. “In these morbid times once it’s over it is over. Looking

back at your life there is basically nothing that counted more than love.”

“Angel Face” is an acoustic guitar piece that is almost neofolk in compositions, highlighting

the genre-spanning dynamic range across the album, and some of Maybelline’s best crooning

vocals.

“Hard Drug” once again tapes into that early sound championed by Ivo Watts Russell [legendary

4AD mastermind], with folky acoustic elements led by Larissa’s resonate voice guiding the way

through the rueful melody.

“Third Eye in Shanghai” is an unsettling track whose Gothic Rock guitar riff whose detuning

evokes Eastern Ritualism, with dual vocals shared between Larrisa and William that overlaying

distorted buzzing, and humming sounds reminiscent of Mongolian throat singing.

“Your Pure Soul” is a slow cinematic journey along the pews and corridors of the religious sub-

conscious. Led by Larrisa’s mesmerizing vocals, this creates a sonic palette of such a caliber,

as only been previously explored through the early work of Dead Can Dance.

“Come Kali Come”, invoking the Cheif Shakti, divine mother, and destroyer of evil in Vedic

mythology, is a perfect closer for Lebanon Hanover’s most experimental album to date. The

song’s bubbly theremin sounds quivering like radio interference over sitar-esque strumming,

with the sinister whisper of the song’s title and refrain giving way to William Maybelline’s

bellowing croon.

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